A hilarious, enraged, snotty, and smart underground sensation! Hutch Owen’s acclaimed, award-winning dregs-of-society adventures skewer the multinational, mega-merging, corporate forces that control our lives. Tom Hart's popular vagrant/rebel Hutch Owen rages while the world around him builds, merges, attends marketing seminars and goes IPO. The streets and alleyways that are his bedroom and study are now invisible beneath a coat of crude and insulting ads. In an #Occupy World, Hutch Owen’s long-standing dissenting voice is a rallying cry for the #99%! With three graphic novels to-date, and over a dozen stories, Hutch Owen was Furious When Furious Wasn’t Cool! He is the original occupier, fighting The Man to keep to his values and integrity in a cold and commercial world.
Jen Sorensen has been doing a weekly editorial comic since 1998. Since its start, she has won numerous awards (including seven from the Association of Alternative Newsweeklies) and was a finalist for the Herblock Prize in 2012. In 2013, Sorensen won the prestigious Reuben Award in the Editorial Cartoon division. Her work has appeared in the Village Voice, L.A. Times, Daily Kos, MAD Magazine, Nickelodeon Magazine and many, many more. Her art is vibrant and precise, and her commentary is razor sharp. Populated by recurring characters and a caustic wit, this is not a comic for the fainthearted.
The Gladlees, a slightly eccentric suburban family, adopt a toddler, Jetpack Jr., who is actually an alien spaceman who thinks he’s a toddler who thinks he’s a spaceman. The couple’s older kids want to send him back to the moon.
Clay Jones, who was formerly represented by Creators Syndicate, is now self-syndicating his cartoons nationally. He was previously on staff with the Free Lance-Star in Fredericksburg, Va., and the Star-Advertiser in Honolulu. Clay is an independent who points out the absurdity in the absurd in political and social issues. He believes humor is as much a tool as pen and ink to get his point across. He's been making readers laugh and become infuriated since 1990.
Kevin Kallaugher's work for The Sun and The Economist has appeared in more than 100 publications worldwide, including Le Monde, Der Spiegel, Pravda, Krokodil, Daily Yomiuri, The Australian, New York Times, Time, Newsweek, U.S. News and World Report, and The Washington Post. His cartoons are distributed worldwide by Cartoonarts International and the New York Times Syndicate.
For more than two decades, political cartoonist Steve Kelley has devoted his attention to public officials the way the radiator grille of a tractor-trailer might devote its attention to June bugs. He has delighted readers by consistently consigning office-holders to the one fate they fear most: that of not being taken seriously.
He's always right.
Chan Lowe's work has won several awards, including the Green Eyeshade Award in 1992, and second place in the 1996 John Fischetti Competition. In 1990, he was a finalist for the Pulitzer Prize. In 2000, he was awarded The National Press Foundation's Berryman Award.
Mike Luckovich, editorial cartoonist of The Atlanta Journal-Constitution, won the 1995 Pulitzer Prize for cartooning. His work also appears in Time, the New York Times and other media. He is distributed nationally by Creators Syndicate.
Gary Markstein cut his cartooning teeth while doodling in the margins of his grade-school homework. Now he makes a living by skewering pompous public figures and politicians of every political stripe. Markstein is an artist at the Milwaukee Journal Sentinel and was previously the cartoonist for the Tribune Newspapers in Arizona.
Conservative cartoons to put you in the right state of mind.
From his studio in southeastern New England, Brian McFadden skewers the news and pop culture every week with his irreverent cartoons.
Jim Morin’s drawings won the Pulitzer Prize for editorial cartooning in 1996. He shared the Pulitzer in 1983 with other members of the Miami Herald editorial board, and was a Pulitzer finalist in 1977 and 1990. His work is syndicated internationally by the New York Times/CWS Syndicate.
At 19, Jack Ohman was the youngest syndicated editorial cartoonist in the United States, ever. Now he is one of America’s syndicated middle-aged editorial cartoonists. His work appears in over 300 newspapers.
Called "the most influential cartoonist now working" by The New York Times, Pat Oliphant occupies a unique position among today’s editorial cartoonists: Widely considered the dean of the profession, he is one of its sharpest, most daring practitioners.
Called "the Thomas Nast of his time" by The National Review magazine, Payne is an informed journalist whose investigative writing has also made national headlines.
Joel Pett is a three-time finalist for Pulitzer Prize for cartooning. He won the award in 2000. He joined Lexington Herald-Leader in 1984 and USAToday as contributing cartoonist in 2002.
Prickly City is a comic strip about the friendship between Winslow, a Democratic coyote pup, and Carmen, a straight and narrow conservative kid. Somehow, they make it work.
America's most ferocious Gen-X political cartoonist.
Two-time Pulitzer Prize winner Michael Ramirez combines an encyclopedic knowledge of the news with a captivating drawing style to create consistently outstanding editorial cartoons."Editorial cartoons should be smart and substantive, provocative and informative. They should stir passions and deep emotions. Editorial cartoons should be the catalyst for thought, and frankly speaking, if you can make politicians think, that is an accomplishment in itself."
Two-time Pulitzer finalist Marshall Ramsey is the editorial cartoonist for The Clarion-Ledger. His cartoons have appeared in USA Today, Newsweek, U.S. News and World Report, The Chicago Tribune, The New York Times and on his Mother's refrigerator. It is also rumored that his work has appeared frequently in the bathrooms of several prominent local politicians.
Rob Rogers is the award-winning editorial cartoonist for the Pittsburgh Post-Gazette. He is currently serving as board president of the ToonSeum, a cartoon museum in Pittsburgh, Pennsylvania.
Drew Sheneman has been the editorial cartoonist for The Star-Ledger (Newark, N.J.) since 1998. With exceptional artistry, his politically liberal cartoons help readers understand issues ranging from pop culture and politics to technology.
According to veteran Ohio cartoonist Stahler, the most satisfying part of his job is "those days when I can load my ink cannon with fodder faster than I can fire it."
Scott Stantis is the editorial cartoonist for the Chicago Tribune. His work is syndicated to over 200 newspapers and has been featured by Newsweek, U.S. News and World Report, The New York Daily News, The Los Angeles Times, CNN, "CBS This Morning" and "Nightline." When Scott isn't creating editorial cartoons, he works on his daily comic strip, Prickly City.
Dana Summers is the creator of the comic strip Bound and Gagged. He also finds time to co-create a second strip, The Middletons, with fellow Orlando Sentinel cartoonist Ralph Dunagin. His third job is editorial cartoonist for The Orlando Sentinel. His editorial cartoons have been in syndication since 1985.
"I think cartoonists should be like burrs under the saddle of some egomaniac, kind of gnawing away every day," says two-time Pulitzer Prize winner Paul Szep. "I think the public likes cartoons because it gives them a vicarious pleasure that they normally can't get in any other way."
Join the Round Table Subscription Service and be the first to get Keef's weekly comics, plus the inside skinny on the world's foremost Gentleman Cartoonist! A snapshot of current events drawn by cartoonist Keith Knight, tackling the political and social issues impacting communities of color. Upcoming Events Keith Knight Germany Tour: Cartoonist Keith Knight is spending a large part of November in Germany for a speaking tour! Knight will use comics to teach students about police brutality in the United States.
Pulitzer Prize-winning editorial cartoonist for The Washington Post.
A comic about the Presidents of the United States and other Star-Spangled banter.
Two Party Opera