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Comics I Follow

Shirley and Son Classics
By Jerry Bittle
Clay Bennett

Pearls Before Swine
By Stephan Pastis
Kevin Necessary Editorial Cartoons
By Kevin Necessary
Herman
By Jim Unger
Scott Stantis

Joe Heller

Phil Hands

Shoe
By Gary Brookins and Susie MacNelly
Ben
By Daniel Shelton
Bloom County 2019
By Berkeley Breathed
Speed Bump
By Dave Coverly
The Argyle Sweater
By Scott Hilburn
Animal Crackers
By Mike Osbun
B.C.
By Mastroianni and Hart
Calvin and Hobbes
By Bill Watterson
Doonesbury
By Garry Trudeau
Garfield
By Jim Davis
Non Sequitur
By Wiley Miller
ViewsEurope
By CartoonArts International
Mike Luckovich

Lalo Alcaraz

Walt Handelsman

Chip Bok

Gary Markstein

Kevin Kallaugher
By KAL
Steve Benson

Peanuts
By Charles Schulz
Robert Ariail

Steve Breen

Michael Ramirez

Mike Lester

Drew Sheneman

Jeff Stahler

Adam@Home
By Rob Harrell
For Better or For Worse
By Lynn Johnston
You are now arguing semantics. In either the original post or in the other answers I gave here about this subject it is quite clear what I really mean. And as stated… Having paid for a service, and having received that service (the comics INCLUDING Dilbert) for years – for suppliers to have decided to cut him out of the mix ONLY because of who he is – they were effectively depriving me of my right to receive what I had originally paid for. It is – if you prefer an analogy – paying for Netflix and for years getting a service which includes “detective films” -when suddenly the Twitterverse decides that “detective films are bad for kiddies”, so two weeks after I have paid my entire year’s subscription (as that is the way it works for my comix) – Netflix decides to remove all traces of detective films from the mix. I was expecting all of the same kinds of films, including detective films which I particularly like – and now I can’t get them any more; so my “right” has been minimized… and again, specifically for the WRONG reason, and without any sense of true principle.