And speaking of backgrounds, I just loves the great foreground and background depths in this comic. Great artwork, I say.
The perspectives are perfect and life like. Just look at the kid at the table, the stool he stands on, and Bozo and his gal pal through the door in the background. And the scenes in the third strip, with the fence shown in an angle, depicting depth and three dimensional effect and perspective. And the umbrella guy in the background, behind the cop too.
Foxo does great perspectives in his artwork. Each panel gives a realistic perspective and a 3D feeling. A real master of drawing on two dimensional paper. This comic’s not only about the gags, it’s a more complete comic which can be greatly enjoyed with its superior artwork.
And speaking of backgrounds, I just loves the great foreground and background depths in this comic. Great artwork, I say.
The perspectives are perfect and life like. Just look at the kid at the table, the stool he stands on, and Bozo and his gal pal through the door in the background. And the scenes in the third strip, with the fence shown in an angle, depicting depth and three dimensional effect and perspective. And the umbrella guy in the background, behind the cop too.
Foxo does great perspectives in his artwork. Each panel gives a realistic perspective and a 3D feeling. A real master of drawing on two dimensional paper. This comic’s not only about the gags, it’s a more complete comic which can be greatly enjoyed with its superior artwork.