Although you may miss it on first glance, observe every panel closely. You will then see peoples or vehicles or buidings or any objects in the background, all masterfully drawn to create a great three dimensional depths on scenes drawn on two dimensional paper.
And not only foreground and background, Foxo excels in rendering multiple levels of three dimensional depths by drawing such that each subject appears to be at different focal points from the reader.
For example, in First strip, observe the skillfully done perspectives of Bozo being closer to you than the cop who’s a bit behind. As then the people and cityscape behind them.
In the second strip, Bozo getting his shoe polished is drawn in such a skillful manner. The scene being at an angle to the reader aptly renders a great three dimensional depth. In the following panels, the cars and peoples in the background and a cityscape outline behind them are well placed behind Bozo to create a great three-d depths.
And if I hadn’t zoomed in as much as possible I’d have easily missed the following in the third and last strip for today.
Just look at the people and tables behind Bozo’s waiting table and customer, in the first panel. Also in the second panel, the tables and peoples in multiple levels in the background aptly depict the depth of the serving hall of the restaurant. Even though the next two panels have a simpler background depths in comparison, they still portray three dimensional depths.
Although you may miss it on first glance, observe every panel closely. You will then see peoples or vehicles or buidings or any objects in the background, all masterfully drawn to create a great three dimensional depths on scenes drawn on two dimensional paper.
And not only foreground and background, Foxo excels in rendering multiple levels of three dimensional depths by drawing such that each subject appears to be at different focal points from the reader.
For example, in First strip, observe the skillfully done perspectives of Bozo being closer to you than the cop who’s a bit behind. As then the people and cityscape behind them.
In the second strip, Bozo getting his shoe polished is drawn in such a skillful manner. The scene being at an angle to the reader aptly renders a great three dimensional depth. In the following panels, the cars and peoples in the background and a cityscape outline behind them are well placed behind Bozo to create a great three-d depths.
And if I hadn’t zoomed in as much as possible I’d have easily missed the following in the third and last strip for today.
Just look at the people and tables behind Bozo’s waiting table and customer, in the first panel. Also in the second panel, the tables and peoples in multiple levels in the background aptly depict the depth of the serving hall of the restaurant. Even though the next two panels have a simpler background depths in comparison, they still portray three dimensional depths.