International Women's Day: Lynn Johnston Discusses Her 'For Better Or For Worse' Career
by Caleb GoellnerWhen Lynn Johnston created For Better or For Worse in 1979, she was a pioneer -- one of small number of women cartooning from their own points of view and under their real names. This International Women's Day, we caught up with Johnston for her perspective on the evolution of comics under her tenure. We wanted to find out how history shaped her early experiences as a professional cartoonist, and how her ongoing success shaped history and contributed to a more inclusive comics page. Read on for a reflection on her career and to catch up on her current exploits.
GoComics: It's been almost eight years since For Better or For Worse concluded, but it's clear on your website that you're as busy as ever. How has your 2017 been so far?
Lynn Johnston: So far 2017 has been busy and happy and exciting. We are all enjoying the fabric patterns so much. Our team of 4 continues to learn and experiment. We have some fun and funny designs, but ultimately, they are softly and attractively colored. Something different in comic art. I enjoy spending time with my two grandkids, Ryan, 3 and Laura, 5. Every so often, I take them on an "adventure". Last weekend, I took them on the bus up to the Grouse Mountain gondola. There weren't too many people in line, so, up we went to the top; a truly spectacular trip - no matter how many times you go. It was a snowy wet day at the top, but both kids wanted a Popsicle -- and nothing else! It was fun to see them eating an icy treat on the balcony in the snow, watching the boats in the harbor far below.
GC: You were a successful woman creating comics in a predominantly male field in the late '70s. Did this present any challenges in the early years of your comics career or later?
LJ: The only cartoonists who gave me a hard time as a female in a male-dominated field were the old guard. Guys my dad's age wanted me to serve them coffee rather than do the job of National Cartoonists Society president, which I had been elected to do. A couple were supportive but most were rude and dismissive. George Wolf, a magazine cartoonist, drew naked pictures of me as I conducted the meetings and was surprised by my drawings of him in return... wearing nothing but a smile. In contrast, the NCS members my own age were respectful and welcoming. It was a job that required a certain skill set, so anyone who was successful in any way, was part of the crew; a unique group of people with some extraordinary gifts. Today everyone is an equal, I'm proud to say!
GC: The syndicate side of comics is still male-dominated in some respects, but there's growing gender parity in the digital space and elsewhere. How do you feel about having contributed to representing success in the field for so long?
LJ: I'm proud of what I did during the years I produced FBorFW. The characters grew and storylines happened... to keep ME from getting bored. This was the only way I could sustain the strip for so long. When I was ready to let it go, I felt I had said all I could say and that it was time to end everything as best I could. I am almost 70 and though many of my contemporaries keep up to date with what's happening o n the internet, I do not. I have other things to occupy my time now. I do have a young friend: Sean Karemaker, who is doing some wonderful work as a graphic novelist. It's people like Sean who are making the best use of the incredible technology available to us now.
GC: Sustaining a narrative for 30 years seems like it could have been daunting personally and professionally. What were some of your biggest challenges as a creator while working on For Better or For Worse?
LJ: The biggest challenge a syndicated cartoonist has is doing your best work on a deadline. It's more than a full-time job and you have to be the best you can be -- even when you don't have an idea and don't have a clue. There is no taking time off. It's a demanding job. Your audience demands the best and you have to try and deliver. Many new artists cave after 3 years. It takes 3 years for your audience to care about your work enough to look for it... and it takes less than 30 seconds a day to read! Think about it; you have 30 seconds a day to create a dedicated audience, some of whom only read you on the weekends. So, you'd better have something to say, an engaging drawing style and likable characters, or your strip will die a sad and unhappy death!
GC: You meet a lot of fans -- including creators in comics and other media. What's been the most surprising feedback you get from younger generations?
LJ: The feedback I get from younger generations is great. Many who read FBorFW as children are reading my work from a parents' perspective, now and enjoying it all over again. There is no surprise, really. I'm glad they see my work as having merit after all this time. Their response is just plain wonderful.
GC: What do you consider to be the most striking changes in the world of comics since you began For Better or For Worse?
LJ: I read very few comics today, so I'm not able to answer this well. I see enormous talent in illustration and color thanks to technology. I see experimentation and great leaps into fantasy. I also see open and honest forays into very personal and private lives. Making a living is the biggest concern. I have no idea what the Holy Grail is now. In my day, it was syndication. Now, perhaps, it's a best-selling graphic novel and a movie based on it. This is what I would aspire to if I was starting now.
GC: Do you still keep up with comics and cartoons? What, if anything, has excited you lately?
LJ: I don't keep up with anything! I meet wonderful people at comic art events, marvel at what they are doing and go home! I'm focused on fabric designs now and my energy is going into that. I never thought I'd give up "cartooning"; captioned illustrations... but here I am starting a whole different career.
GC: What comics (or other media) would you recommend to creators who might want to follow in your footsteps?
LJ: I'm afraid I have no advice. Right now, I'm on the learning end, not the teaching! Technology has outdistanced me. All I have is paper, pencil, pen, ink and a gift for drawing funny pictures. At my age, this is all I need!
Happy, happy, happy!!! Premium Member over 7 years ago
I have always liked your work, from the first time i saw one of your strips.
I am happy to hear that you are doing well and are enjoying “retirement”.
:D
sdyavanapalli over 7 years ago
Dear Ms Johnston, I have read your column since it started back in 1979. My mother bought your book “David, we’re pregnant” when she was pregnant with my brother back in 1980. I read that book over and over. My father used to get the Chicago Tribune every day and I read your comics every day for 20 years. I am now married with children of my own and still read your strip every day. It is wonderful how I can now read it as a parent instead of a child. Thank you for so many memories and wonderful story line. I have now started showing your comic strip to my kids. They love it too :)
melospiza over 7 years ago
Thank-you Lynn Johnston for the many years that you have given me a chuckle, a smile and a moment of enjoyment to start my day. When I started reading GoComics online, your strip was the first one that I looked for……I was so happy not to be disappointed.
Tsudog over 7 years ago
I read your comics for years and was so disappointed when the Times Colonist (Victoria) decided to substitute another strip for yours a few years ago now. However, I was delighted to find you again on GoComics. Adrian Raeside’s “The Other Coast” my favourite of many years, still provides me with first my morning smile, and then I check in on your strip and “Herman”. So good to learn that you are active and obviously enjoying life.
LouiseThomas over 7 years ago
I will never forget when you had Farley die after saving April….I cried like he was my own pet…I’m 68 now and I still remember the emotions…to me that shows how wonderful your talent is!
WF11 over 7 years ago
Wow, it’s hard to believe it has been over 8 years since the “new” strip ended (I didn’t believe it until I looked at the reprint of the final installment)! I’ve been a fan since the early 1980’s, at least before buying “David, We’re Pregnant” before my son was born in 1984. There was a cartoon in that book that I think of often and like to kid both my son and daughter about (they are both new parents): a young couple is leaving the hospital, the new mother is holding the baby, and the new father is shaking hands with the doctor and saying “Thanks, Doc, it was easy!”.Sometimes I have been bothered by John Patterson being shown as clueless and even insensitive, but I do appreciate that the strip is done from a woman’s perspective (I’m a 60-something male).Thank you Lynn for many years of entertainment and humorous twists on real-life situations.
up2trixx over 7 years ago
Thanks Lynn, I’ve been reading your comics for decades and have all the collections as well. I read it back then from the perspective of Michael and his friends (We were similar in age) but now look at it from the perspective of Elly and John and the other adults (mainly John – I am at the age where I bought my “sports car” two years ago). The two story arcs that most affected me were Farley’s death and Lawrence’s coming out – you see, I was going through the same thing myself internally (although unlike Lawrence, I didn’t have the courage to come out until I was much older). I still re-read “There goes my Baby” often and still get a lump in my throat every time. FBorFW was and still is one of my favourite strips, and I thank you deeply for the excellent work you’ve done for our entertainment and education.
Georgia Dunn creator over 7 years ago
I grew up reading “For Better or Worse,” and Lizzie was my favorite character. (Along with the occasional appearance of Aunt Georgia, since no one else in comics or tv seemed to have my name!) Now I’m one of the readers enjoying the experience of reading it all over again as a parent, and I find I love Elly so much.
Sheila Woodyard over 7 years ago
Thank you so much for all the love, joy, laughter and even sadness (I still tear up when I re-read Farley’s passing) that you gave us through the years. I loved John’s ‘G’ scale train, and am now fortunate enough to have a partner who has turned me on to the love of model railroading – our favourite shop has one of the strips of John and his train set on the wall! You really blew the doors open for women, and I was overjoyed when you became the first female Ruben Award winner! Thank you so much, I still re-read everything.
girlbrdr over 7 years ago
I didn’t read your original strips until a few years after you started. I’m loving the opportunity to read them from the start. Thank you!
howtheduck over 7 years ago
While Lynn Johnston is complimentary of her National Cartoonists Society contemporaries for treating her well, she is still the only woman who was president of that organization and that was back in 1988 and it was only to fill in when Bill Hoest (The Lockhorns) died before the end of his term. They still seem like an old boys’ club to me.
Cathy Akers-Jordan Premium Member over 7 years ago
Thank you for all the laughs (and a few tears) through the years, Lynn. I have read FBoFW since I was a kid and I can’t imagine starting the day without it.
nossmf over 7 years ago
I’ve followed FBorFW since early childhood, especially Michael, a young boy who shared my name and was only a couple years older than I. His (mis)adventures while growing up became my own shortly after, even unto having children. To see myself in a strip, aging as I did, learning as I did, is a memory I shall always cherish. (And of course reread through every anthology sitting in a prominent space on my bookshelf. My daughter also loves the strip.)
harebell over 7 years ago
Fabric designs! what a great idea. Best wishes with your “new” career!
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